Fill flash is a photography technique used to brighten deep shadow areas, typically outdoors on sunny days, though the technique is useful any time the background is significantly brighter than the subject of the photograph, particularly in backlit subjects. To use fill flash, the aperture and shutter speed are adjusted to correctly expose the background, and the flash is fired to lighten the foreground.
Most point and shoot cameras include a fill flash mode that forces the flash to fire, even in bright light.
Depending on the distance to the subject, using the full power of the flash may greatly overexpose the subject especially at close range. Certain cameras allow the level of flash to be manually adjusted e.g. 1/3, 1/2, or 1/8 power, so that both the foreground and background are correctly exposed, or allow an automatic flash exposure compensation.
More natural-looking single flash results can be obtained by raising the flash vertically to create a more natural downward angle, but keeping it centered. This is usually preferable when photographing people because it hides most of the shadows, especially the very distracting nose shadow. In this case, the shadow is mostly hidden down below the nose and not noticed. The reason for not moving a single flash off-axis sideways rather than vertically is that any shadows the flash creates will be unfilled, dark, and potentially unflattering if poorly placed on a subject's face.
Bouncing a flash from a surface above the subject, such as a ceiling, creates the same downward modeling direction but is not a strategy that can be used outdoors. When the flash is moved off-axis or bounced to create directional modeling its role changes from "fill" to that of "key" light.
So while near-axis fill works in the technical sense and works fine for general candid shooting it is not the ideal strategy for a close-up portrait where the eyes are a more critical focal point. The more ideal strategy for portraits is open shade or backlit which allows the subject to raise their face and eyes into the skylight without squinting.
|
|